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Fortress Bollywood
By: Ratnakar Sadasya
Once upon a time there was a place called Bollywood in India. It was a place different from the rest of India. In a feudal society like India, where getting ahead depended more on your connections, your religion, your race and everything except your ability, Bollywood was the only truly democratic society existing.
Like the US of A it had an uncanny ability to attract talent irrespective of background, caste, gender and status. A poor fruit seller called Yusuf Khan could become a superstar and legend called Dilip Kumar. A guy from Gurdaspur who
worked as a censor for mail during wartime
went on to become Dev Anand. A.R. Srivastava quit a cushy job in Calcutta and struggled for 10 years before going on to become a living legend called Amitabh Bachchan. A radio announcer called Balraj Dutt who interviewed stars on radio, himself costarred with some of them as Sunil Dutt. A girl of Burmese descent sizzled up the screen from the 50´s to the 70´s in innumerable cabaret songs, she was the incomparable Helen. And yes they came from all over to
Bollywood, from Karnataka came a sensitive filmmaker called Guru Dutt who gave
Indian cinema some of its most enduring classics. From the south came Waheeda
Rehman, Vyjayanthimala, Hema Malini, Rekha, Sridevi and Jayaprada some of the
most beautiful and finest actresses ever to have graced the screen. From the
east came the glamorous and talented Sharmila Tagore, the bewitching Rakhee, and
the homely Jaya Bhaduri. The east also gave us brilliant actors like Utpal
Dutt, Uttam Kumar, Ashok Kumar and of course Mithun Chakraborty. And of course
who can forget those brilliant Bengali directors Bimal Roy, Hrishikesh Mukherjee
and Basu Chatterjee. Aamchi Maharashtra proved that it is no less contributing
some of the most brilliant talents Nutan, Tanuja, Smita Patil, Amol Palekar, Dr.
Shriram Lagoo
and Madhuri Dixit.
These people just did not come from a place, they also bought along with them
the culture of that place, the memories of that place, their experiences . Their
struggle to achieve stardom is itself a story. Amitabh Bachchan being rejected
by AIR since his voice was not suitable and being dismissed by many a producer
as not hero material. Mumtaz´s transition from a B Grade heroine to vamp to the
top most star of her era. Dev Anand sleeping on benches outside the famous
studios. Rekha´s transformation from an ugly duckling to one of the most
beautiful woman of all time. These
people again came from different backgrounds. Raj Kumar was a cop, Mithun was an
Ex Naxalite, Anand Bakshi served in the army, Basu Chatterjee worked as a
cartoonist. And so they bought forth their rich experiences to the
movies. This trend continued well into the 80´s and 90´s where actors like Anil
Kapoor, Akshay Kumar, Jackie Shroff and above all Shahrukh Khan made it without
any family surname to their credit. Bollywood for all its faults was the place
where any Indian could make it irrespective of what he or she was. It didn´t
matter which region you came from, who you were or what your status was. The
only thing that mattered was your ability, much again like the US of A.
And
this was what made Bollywood movies so enjoyable and entertaining, in spite of
the fact that many of them were quite predictable. Though most of the movies
released in every year were junk, there were at least 10-12 good movies which
could be watched. But unfortunately in the past couple of years Bollywood
seems to have gone into a shell. Take a look at the number of new heroes who
have been coming, almost every one of them seems to be the son of some
director, producer, writer, actor or some technician. Its very rarely that we
get to hear the success story of some
one who doesn´t have a god father in Bollywood or who doesn´t belong to a filmi
background. Think deeply, who was the last actor who was successful in Bollywood
without any filmi background to boast of. It should be Shahrukh
Khan. After that one hasn´t heard of any non star son being a success. Mind you
I have nothing against star sons or daughters. There have been some outstanding
examples like Aamir Khan, Ajay Devgan, Akshaye Khanna, Sunny
Deol, Vivek Oberoi to name a few who have done well. But does that mean there
are no talented newcomers outside of Bollywood who don´t have a filmi
background, or don´t have any one to push them.
Take a look at the profile of any one of the actors who have been launched
recently. It would read something like this son of a prominent celebrity( read
that as actor/ director/ technician/producer/politician). Studied in an
university abroad. Learnt acting at some acting school. Would be launched by a
big banner with a top notch director. Promoted exclusively by the media. Its
been a long time since we have seen a rank newcomer breaking into Bollywood and
becoming a top star. The situation seems better as far as actresses go with
heroines like Preity Zinta and Bipasha Basu
proving that they can make it on their own steam without any props. Its as if
Bollywood has become a sort of fortress where outsiders are not welcome, and
even if they do come must not aspire for the top job. Much like what Indian
companies were in the pre liberalization days where only the family members
could aspire for the top seat. This trend in Bollywood comes at a time when
ironically Indian society has become more open than before. The IT revolution
has turned middle class guys into millionaires, Indian companies have no qualms
about pushing professionals for the top spots, Indians are making their mark in
every profession without having to account for their status.
In such a scenario, where Indian society has been changing at a rapid pace, its
surprising that Bollywood seems to be shutting the doors on itself. The
producers have every right to promote the star sons and daughters, but they must
remember one thing, this would work if they are talented. Try promoting a
mediocre actor or actress just because
she or he happens to be the daughter or son of so and so, and that would
backfire very badly. Its like those ancient kingdoms, they were doing fine as
long as the ruler was good, if the successor was bad, those kingdoms too
collapsed. Closer home all those family run business just couldn´t compete in
post liberalization times since they pushed undeserving members into the top
spot regardless of their capability. Bollywood seems to be intent on committing
the same mistake where it is pushing some absolutely hopeless actors and
actresses just because they happen to be from a filmi background. The result of
that could be seen in 2002, where 99% of all movies just sank like the Titanic
at the box office.
Bollywood is in
a parlous state today and if it turns itself into a fortress today, it would
only be spelling disaster with a capital D. What Bollywood needs to do now start
searching for talent, and when I mean talent it is real talent outside. Go
outside the confines of filmi families and Miss India finalists. Go beyond
Mumbai and cast the net wide. Bollywood has to become what it was. A magnet for
attracting the best talent. For that it should inspire confidence among
aspirants, that every one is welcome there. Look everywhere in the North, in the
South, in the East and the West. Take a look at the struggling extra in your
movie, he could be a talented actor who has not got the break. Care to have a
look at the guy who keeps on sending you his script, that could turn out to be a
winner all the way. India is a nation of a billion people, and there are at
least a million talents out there waiting to be discovered. Bollywood has
to open out, and stop being a fortress if it has to rejuvenate itself. The day
it becomes a fortress, that would mark the beginning of its end and the death of
a million dreams.
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