The film revolves around Krishna Gopal Reddy (Deep Katdare) who is having an identity crisis of sorts! He hasnīt fully accepted his heritage as an Indian and is dying to get out of his parents house, away from all things Indian! Krishna, known to his friends as Kris, finally gets a chance to get out when he is accepted to university, where he will meet new people and denounce his Indian heritage. Along with his childhood friend Eric (Eric Axen) he sets out with hopes and dreams which are soon shattered when he realizes that he will not be living with his best friend Eric, but he has been set up with other people in his faculty, three Indians. These are not just any Indians, they are fun bunch of individuals from different backgrounds. There is Jagjit Singh (Ronobir Lahiri) who is a jovial sardar who doesnīt really want to pursue engineering, but wants to be an artist, however like a lot of parents, his father wants him to be an engineer, not an artist, because an artist will never amount to anything. Then there is Salim Ali Khan (Rizwan Manji) who idolized Rekha, watches Umraao Jaan, and believes that all NRI girls are corrupt. And lastly we have Ajay Pandya (Kal Penn) the black talking, fun loving, ghetto boy. Kris immediately takes a dislike to all three for various reasons, but mainly because they are Indian, they have made the house small like masala and curry, and Kris thinks they do not share any common interests. Kris begins university life, avoiding his roommates whenever possible, and having fun. In the process he meets Nina Shah (Purva Bedi) who, he instantly starts liking, but she is Indian too. Not only is she Indian, but she is a cultured Indian who despite having all the traits of an NRI speaks Hindi and drinks lassi. Ninaīs childhood friend Rakesh Patel (Anil Kumar) and his two sidekicks Hemant (Sanjit DeSilva) and Chandu (Sunil Malhotra), make things more difficult for Kris because Rakesh has a crush on Nina as well and wonīt let Kris get near her. And thus begins Krisī journey to discovering his heritage and his love. To accompany him he has his three roommates who eventually become his friends and partners in crime. Together they go through a vast number of changes to discovering themselves and their destiny!
The film is almost flawless in terms of script which was written by the director Piyush Dinker Pandya. It takes up so many social issues in such a short span and addresses the plight faced by many of NRIīs out there effectively. Piyush has done an awesome job in directing the film. It is entertaining and fun, but it is nothing breakthrough. The film has done well in Canada, UK and USA, and it is a landmark film in bringing up issues, but it isnīt something audience members would be able to watch more than four times. Still his work in this film will be much appreciated because he is talented. The scenarios he has written are hilarious. For example, the boys making the romantic dinner for Nina, Gautam getting drunk, Salim hiding from Farahīs parents, Eric making money at the Navratri festival, the rubber scene in the classroom, and Kris leaving home in the beginning are just few of the most entertaining parts of the film. The only flaw in the direction is the profanity and adult situations which are brought up unnecessarily. What was the need for that scene with Laura Lockwood at the party. It did serve a purpose, but it didnīt need to be shown in such detail. But all things said and done Piyush deserves a pat on the back. He shows the audiences that all Indians do not need to be doctors, engineers and lawyers. He also shows us that while some NRIīs may not accept their heritage, most of them are well versed in their culture and that Indian directors have the wrong idea. Subhash Ghai and Rishi Kapoor should take note, instead of making ignorant films like Pardes, Taal, and Aa Ab Laut Chalein. Art Direction by Len X Clayton is very good, particularly in the Navratri Scene where he turned the school gym into such a festive and beautiful environment. Renato Falcoīs photography is done well keeping the mood of the film in tact. Editor, Robert Tate has done a very good job keeping the film at a good pace and making it just the right length in time. Cindy List does a good job with makeup and hair, keeping the casts look simple, and very true to life. Music is not original, it wasnīt intended to be. Wig and Brian Davis have arranged and excellent soundtrack which is the perfect mix of Eastern and Western Influences. They have taken the sounds of David Bowie and other famous Western Artists and woven the songs in to fit the story. The sounds of Penn Masala will finally be noticed in this film. They are a popular underground accapella band and their two most famous renditions, Mere Sapno Ki Rani and Aap Jaisa Koi have been used in the film and it is truly amazing what they can do with their vocals. Most of the tunes were borrowed from Punjabi MCīs album Legalized which released a few years back and they all fit into the film well. Choreography by Samita Patel who also makes an appearance in the film as Krisī mom is simple, yet done well. Overall American Desi is a near perfect film. Finally any NRI who is tired of being projected as a tyrant in Hindi films can watch a film which is realistic in every way. Performances are excellent, the good looking young, cast has done an overwhelming job with their roles in the film and make us proud to be NRIīs. Music is also good and the effect really pays off. Piyush Pandya deserves a standing ovation for his excellent film which addresses so many important issues, while making us laugh hard. Deep down inside we still see that Hindi film convention of boy meets girl and fights the villain to save the girl, but it is done in a shorter time span. This film is excellent and not to be missed by anyone! GO SEE IT! |