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out of

Producer & Director: Suneel Darshan
Music: Anand Milind
Lyrics: Sameer

Reviewed by: Anjali Abrol
dilwaliji@indolink.com


. The Akshay-Karisma team is back after...after...Deedar? Nope, it couldn't have been that long...Akshay must have SOME flop with Karisma! Despite Akshay's downhill and Karisma's uphill careers, Jaanwar is rumored to do wonders to Akshay's career (anything would do at this point). Good music doesn't hurt at all, either...

The first song, Mausam Ki Tarah, sets the entire album off to a good start. Though the song has shades of typical pacy love songs of the past, this songs, unlike some of the ones in recent past, seems to strike the right chord. Though the male voice (Manhar Udhas) could be improved, well, we can't be too picky, now can we? Catchy!

Mera Yaar Dildar keeps up the positive start with its traditional catchy Bhangra flavor and cute, sweet lyrics, a sure delight to those who love the Punjabi flavor (especially with Punjaban Queen Jaspinder Narula gracing the background!). The singing is great, but Sonu Nigam's fresh voice takes the cake. This song is a nice, light-hearted change from the heavy duty soulful songs of Taal and HDDCS (though both were amazing in their own right!) Definite hit!

Tujhe Na Dekhun slows down the pace with a sweet song. Uh oh...maybe I have the wrong idea...uhhmm the lyrics go...tum mere daddy ho, tum meri mummy ho. Wait...maybe not a love song...unless your aashiq is also your daddy mummy? I am not sure in what context this song is sung in the movie, but the mummy daddy lyrics just wrecked the entire song. Hopefully it isn't some cheesy kiddie rohna dohna song...and the album is quickly spiraling downwards. Passable

O Jaanewale O Jaanewale sounds a bit too much like one of those late 1980's early 1990's 'nahin jao nahin jao, jaanewale' sort of pleading songs, where the female is clutching her heart as she dances , her eyes squeezed shut in pain. Listen to it, and I think you will understand what I mean. A little melodramatic, with 'ahhhhhhh' singing and loud, fast dramatic music. Little too sad for me, though sung nicely and music is good (though typical). Melodramatic

Kasam Se Kasam Se is a beautiful love duet nicely rendered by Udit Narayan and Alka Yagnik. Sweet and equipped with standard payal chunchun music, imagine Karisma on some mountain top, in the middle of dozens of brightly attired women, dancing with her majnu, Akshay, her lehnga swaying as her hair dances in the wind. Typical, right? Every movie's got at least one...but thankfully, this song will definitely make the song worth watching in the movie. This song will definitely climb the charts. Finally, the album is beginning to pick up again...Hit!

Mere Sapno Ke Rajkumar is one of those starry-eyed innocent lovey dovey songs, and sickly, at that. A little too sweet, I am afraid. DDLJ's Mere Khawabon Mein Jo Aaye was on target and portrayed the innocence of a smart girl...this, on the other hand, portrays Karisma as a ditzy, naive, I mean, innocent sweet girl. Maybe the song can be saved in the movie, but for now, it's too unrealistically pigtail-Karisma-sweet...and it isn't the words as much as it is the baby girl singing. Pass!

Paas Bulati Hai is one of those heart-wrenching Maaaa songs, and yes, it does manage to evoke to sentiment (but not too much!). The music is nothing spectacular, nor is the singing. Listen to it once, feel the emotion, and fastforward after that. It's sort of like the sentimental Biwi No 1 song. No offense to anyone, but it would have been better had the song been directed towards an aashiq rather than Maaji. Kinda of loses that love theme. Okay

The album concludes with Angoori Angoori, one of the more crass Rajasthani Chumma Chumma sort of song (though not as catchy!). Passable

Must Listens!!!!!!!!! Mausam Ki Tarah, Mera Yaar Dildar, Kasam Se Kasam Se

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