Planet Bollywood

Thums Up - Thums Down for the Week - 3 Jul 2012
  Join the gangs…the ‘Gangs of Wasseypur’ or else!
  - Samir Dave
Selection based on Planet Bollywood critics recommendations           Let us know what you think about this
 

Anurag Kashyap’s “Gangs of Wasseypur” is riveting cinema that elevates the Bollywood “gangsta” genre to a new level!

Thums Up - Recent Films Worth Watching :-)
 Gangs of Wasseypur
 PB Rating: 8.5 out of 10  Public Rating (by 400 unique users): 5.17
 Director: Anurag Kashyap  Producer: Anurag Kashyap, Sunil Bohra
 Music: Sneha Khanwalkar  Lyrics: Piyush Mishra and Varun Grover
 Starring: Jaideep Ahlawat, Manoj Bajpai, Richa Chada, Piyush Mishra, Reema Sen, Nawazzudin Siddiqui, Jameel Khan, Pankaj Tripathi
 Genre: Drama  Recommended Audience: Adult
Why hello again, dear faithful readers of Planet Bollywood! Welcome to this page, and join the “Gangs of TUTD!” Ahem, ok, so maybe I’m daydreaming again, but now it’s time to wake up and smell the chai as I begin to sip it from a saucer (slllllurrrrp), put my leg up and begin talking about Anurag Kashyap’s “Gangs of Wasseypur”. Let’s face facts, he’s certainly one of Bollywood’s most talented directors, but he’s also one of the best writers out there (aside from the perplexingly LSD influenced, “No Smoking”). Mr. Kashyap has written and directed cult classics like, “Black Friday”, “Dev D” and “That Girl in Yellow Boots”. He’s also written (either screenplay or dialogues) for movies like “Satya”, “Shool”, and “Guru”. The man can direct, and he can write, plus he doesn’t shy away from delving into the deep dark soul of the human mind. So, it was with great expectations that I sat down to watch his latest, “Gangs of Wasseypur”. Anurag Kashyap certainly doesn’t disappoint, for the film is a hard hitting, character driven ambitious piece of cinema that deserves repeated viewings and doesn’t take the viewer’s intelligence for granted. The screenplay by Akhilesh Jaiswal, Anurag Kashyap, Sachin K. Ladia, and Syed Zeeshan Qadri is absolutely engrossing in its setup/depiction of two families and the ghost of vengeance between them. Keep in mind that this film was originally five hours long (the lucky folks at the Cannes film festival were able to see the entire cut), and it has been sliced/diced into two parts (part two is scheduled to be released in early August).The film is raw and unsettling as it is meant to be. Kashyap doesn’t hold anything back in terms of language or violence. The cinematography by Rajeev Rai is amazingly gritty. The music by Sneha Khanwalkar is hypnotic. Once again Manoj Bajpayee proves just what a great (and grossly underappreciated) actor he is. His performance is outstanding and should be remembered when the train of yearly awards shows hits town. Also, Jaideep Ahlawat, and Piyush Mishra provide soulful performances. All in all, this film is a showcase of the cutting edge of Bollywood cinema. It’s haunting and will grab you by the…shoulders, to shake you this way and that. “Gangs of Wasseypur” is must see cinema, and you better watch it…or you’ll miss out on viewing a film that is simply mind blowing.


 Teri Meri Kahaani
 Director: Kunal Kohli  Producer: Sajid Nadiawala
 Music: Sajid-Wajid  Lyrics: Prasoon Joshi
 Starring: Shahid Kapoor, Priyanka Chopra, Prachi Desai
 Genre: Romantic  Recommended Audience: General
Let’s face it yaar, love in this day and age is so complicated. You fall in love, you sms, facebook, tweet and chat online (although chat is so yesterday). The connection of hearts is done through the virtual space of the electronic age, and then when you meet…..you might realize that you only have a bad case of the online ishq! This is nothing like the old days right? No internet, no mobile phones, just the physical world of “puppies” and hugs. Plus, like, you had to have an actual conversation. How odd, right? LOL! Just kidding. Kunal Kohli (director of excellent films like “Hum Tum” and “Fanaa” and the despicably boring “Thoda Pyar Thoda Magic") returns to the director’s chair with his latest, “Teri Meri Kahaani”. It’s got three stories (three for the price of one), that present how love is felt through three different physical eras. Look, let’s leave the cynic behind for a moment shall we? Think back to that electrifying moment when you first fell in love, or lust, or whatever, and put on your rose tinted glasses. You’ll thank me for that later.

The film contains contains three love vignettes, that take place in 1960, 2012, and 1910. In all three stories there are two constants, Shahid Kapoor and Priyanka Chopra who are the strong center that bring these stories to life. They share a great chemistry together. I’ve always maintained that Shahid Kapoor is a really capable actor, who unfortunately just hasn’t had that blockbuster moment that he deserves. He deftly portrays each of the three characters, making each one distinct, yet relatable. Priyanka Chopra, is the Juliet to Shahid’s romeo, and matches him step by step. She brings a subtle grace to her characters whether she is playing a 60’s starlet, a college going cutie, or a rebel against the British occupation of India. So let’s break each of the vignettes down shall we?

1960 - A young wannabe musician hits Bombay to find success. Along the way he meets a famous starlet, falls in love, has her friend fall in love with him, and finally loses his love due to an unfortunate love triangle. Watch out for the Raj Kapoor references.

2012 – College boy breaks up with his ex, bumps into a new girl, spends the night with her, falls in love via the online connection (Facebook, Tweeting, SMS), finds out he can’t connect as well in real life and has his private pictures posted by his bitter ex on Facebook. Flame on!

1910 – The British control India, a rebel’s daughter falls in love with the town casanova, he’s a lothario at first, who has a change of heart, dances in prison with the girl of his dreams, but ultimately loses (or not) her when he finds out she’s been married off by her strict father. Don’t mess with the freedom fighting dad carrying a talwar!

The dialogues by Kohli are stellar, particularly the shayari spouted by Shahid as Javed in the 1910 segment really stand out.

“Khuda ne jab tujhe banaya hoga

Ek surur uske dil mein aaya hoga

Socha hoga kya dunga tohfe mein tujhe

Tab jaa ke usne mujhe banaya hoga”

The script by the director is a bit flawed and the result is a slightly uneven feel to the film. Cinematography by Sunil Patel fits each era perfectly. Editing by Amitabh Shukla is quite good. Costume designs by Manish Malhotra and Kunal Rawal are top notch. The music by Sajid-Wajid is fairly catchy, with “Humse Pyar Kar Le Tu” and “Mukhtasar” the two highlights.

Still have your rose tinted glasses on yaar? Good. “Teri Meri Kahaani” is worth a watch for those that love straightforward romances with a smattering of hungama thrown in for good measure. Love is eternal, but the way we express it is not. Sahid Kapoor owns the film with his acting and dancing. He is, quite simply the highlight of the movie. Priyanka Chopra keeps up with Shahid, and together the two form the heart of the film. This one is worth a watch by those keeping the flame of love alive, and keeping the darkness of cynicism at bay.


 Shanghai
 PB Rating: 8.0 out of 10  Public Rating (by 400 unique users): 5.17
 Director: Dibakar Banerjee  Producer: Ajay Bijli, Dibakar Banerjee, Priya Shreedharan & Sanjeev K Bijli
 Music: Vishal-Shekhar  Lyrics: Dibakar Banerjee, Anvita Dutt, Kumaar, Neelesh Mishra, & Vishal Dadlani
 Starring: Abhay Deol, Prosenjit Chatterjee, Emraan Hashmi, Kalki Koechlin
 Genre: Thriller  Recommended Audience: General
First off, this film is not based in China, nor is it about anything to do with Chinese politics. The title “Shanghai” refers more to a concept or ideal of an ultra modern and successful city. India`s trailblazing progress as a world superpower is modernizing its cities and pushing the country towards that ideal. Of course, there are several hiccups along the way, with corruption and the like, but there will always be idealistic individuals who dream of a better future and work towards it.

Now, you might be asking, “What’s with all this metaphysical mumbo jumbo Samir!?!?” Well, I’ll tell you, “Shanghai” is deep yaar, it makes you think. Director Dibakar Bannerjee is known as somewhat of a dark horse, in that his previous films have been off the beaten track, with his last film “Love Sex Aur Dhokha” being positively controversial and pushing the boundaries of what is acceptable in Indian cinema, or should I say what is commercially acceptable in Indian cinema. Now, he presents his latest, “Shanghai”, and if you are looking simply for the usual desi dishum drama, then you will be disappointed. If however, you are looking for a film that intelligently handles a multilevel and in depth story, then you will be richly rewarded for your time and effort.

So, what’s the film about? It’s about the accident of a political activist, the suspicion by Shalini Sahay (Kalki Koechlin) that it’s a murder, the idealism that the Indian government can be redeemed by a man named T.A. Krishnan (Abhay Deol), and the promise of a revelation by Jogi Parmar (Emraan Hashmi) that would bring the government down to its knees. First off, the direction is the star, excellent frame by frame direction by Banerjee. The cinematography by Nikos Andritsakis gives the film an appealing character. The editing by Namrata Rao is top notch and each scene is to the point, without overstaying its welcome. The performances by Emraan Hashmi, Abhay Deol, and Kalki Koechlin are equally superb and it would be an injustice to single out one over the other. Each of these three actors has built up a body of work that falls outside of the Bollywood mainstream, and have succeeded in bringing a welcome diversity to Bollyland.The only disappointing aspect of the movie is that the music by Vishal-Shekhar is solidly disappointing. I do realize that the story of the film perhaps limits the scope of the music, but there are always ways to be creative…and I just don’t feel that they were creative enough with the soundtrack. All in all, do yourself a favor, watch this film and prepare to be “Shanghai”ed!


 Arjun the Warrior Prince
So, when you think about amazing animated films, you probably think about either the kind that Disney has put out in the U.S. market(like “The Lion King” or “Aladdin”), and the wonderful cgi generated films by Pixar (like “Toy Story” or “Finding Nemo”. When you think about amazing animated films from India, what do you think about? Well? “Ek Anek Aur Ekta” (1972)? “Hanuman” (2005)? “Roadside Romeo (2008)? "Ramayana: The Epic" (2010)? Considering that India has such a rich heritage of fables, and also highly creative individuals, you would think there would be a lot more. Either the animated films are aimed at the very young, or the very mind numbed old. So, it’s refreshing to see that the animated field is changing (though ever so slowly) as the mindset…well…sets in that animated films are not just for kids, but a viable medium to tell all ages stories in.

With that said, the Walt Disney company presents director Arnab Chaudhuri’s “Arjun: The Warrior Prince”, which combines classic animation style with cgi special effects, and is a step in the right direction for India’s animation industry. The visuals are captivating, as is the story that focuses on Arjun the hero of the Mahabharata, in what could be termed a prequel story. The fun script by Rajesh Devraj (screenplay) and R.D. Tailang (dialogue), keeps the narrative flowing at an exciting pace. The voice cast includes performances by Yuddvir Bakolia as Arjun, Illa Arun as Kunti, Anjan Srivastav as Lord Shiva, Sachin Khedekar as Lord Krishna, and Vishnu Sharma as Bheehma. All deliver earnest vocal performances (something that is not easy to do as many times in Indian animation, the voices come out as detached and unemotional). With all that being said, the film was sadly overlooked with the onslaught of all the Bollywood live action films in the last few months, and the fact that the market for Bollywood animation movies is fairly limited. Still, anyone that doesn’t give this wonderful film a try is missing out on a thrilling action packed movie that presents the story of Arjun in a way that is easily relatable to by the audience. Also, as an added bonus, the music is by Vishal Dadlani, Dhruv Ghanekar, and Shekhar Ravjiani and adds a nice emotional dimension to the movie. So don’t be so high strung! Grab your bows and arrows, and let free the warrior in your heart with “Arjun: The Warrior Prince”!


 Rowdy Rathore
 PB Rating: 6.0 out of 10  Public Rating (by 400 unique users): 5.17
 Director: Prabhudheva  Producer: Ronnie Screwwala, Sanjay Leela Bhansali
 Music: Sajid-Wajid  Lyrics: Sameer Anjaan, Faiz Anwar
 Starring: Akshay Kumar, Sonakshi Sinha
 Genre: Action  Recommended Audience: Parental Guidance
Yes, yes, just like many of you out there reading this from the four corners of the world, I grew up as an infant, with the masala classics of yesteryear playing in the background, whilst I focused on more important things like…toys. Now, as a grown up (shudder), I look back on those films while wearing a set of rose tinted glasses. You see, they were cheeeeeeezy to say the least, but had a lot of heart. Those films still resonate, and I feel that in the rush to modernize Bollywood to be more in tune with Hollywood standards, we’ve lost a bit of that garam masala that we used to love so much. Well, every now and then comes a film that positively wallows in that masala, and the end result is a spicy dish that is painfully delicious and a guilty pleasure. This happened with Prabhu Dheva’s “Wanted”, and now the director/dancer delivers us a tasty dish called garam tikka masala in “Rowdy Rathore”.

Here’s a secret, the South never let go of their masala films, and hence we get remakes of those original South hits in the North. Thus, "Vikramarkudu" is translated into, “Rowdy Rathore” (though not literally). This time around the producer of the film is Sanjay Leela Bhansali, whose last few flicks have resulted in some “black” and “blue” box office flops. He smartly moves into the producer`s role, and lets Prabhu Dheva do what he does best. The result is a very entertaining film that will not rock the Bollywood film hall of fame, but serves as a great way to relieve life’s stresses for a few hours and freak out with a killer performance by Akshay Kumar (who always excels at both action and comedy). Leading lady Sonakshi Sinha proves that she has what it takes to be a good actress and not just eye candy. This is no glamor doll, whose skimpy outfits would only serve to titillate the audience. She shares a good chemistry with Akshay and delivers a memorable performance.

So what’s the story? I don’t want to give too much away, but Akshay’s Shiva is a con man who falls in love with Sonakshi’s Priya (a seriously overused name for female characters in Bollywood) and fights to not only save himself but also his “daughter”, and take down the evil big boss villain, Nasser. Yes, yes, the screenplay by Shiraz Ahmed isn’t anything new, but the treatment is fresh enough to please the most jaded of viewers. Prabhu Dheva’s direction is spot on and especially thrilling is the masalalicious music by Sajid-Wajid that is just familiar enough to be ultra catchy, yet different enough to be…well…ultra catchy. This one is worth a watch or two, and who knows, someone might grow up with this film playing in the background, so that the masala heart of Bollywood can live on well into the future.


Thums Down - Recent Films that Disappointed :-(
 Bittoo Boss
 Director: Supavitra Babul  Producer: Kumar Mangat Pathak; Abhishek Pathak
 Music: Raghav Sachar  Lyrics: Kumaar, Luv Ranjan; Aseem Ahmed Abbasi
 Starring: Pulkit Samrat; Amita Pathak
 Genre: Comedy  Recommended Audience: General
What to say about this film? I am rarely at a loss for words (as my lengthy TUTD diatribes can attest), yet this film leaves me totally flabbergasted (now there’s a word you don’t hear every day)! “Bittoo Boss” is like an itchy rash that won’t go away for a couple of hours. The film could have been a smart, funny small romantic comedy, but instead is just grating to sit through. The direction by Supavitra Babul is so-so, and nothing out of the ordinary. The screenplay by the director and Gautam Mehra rings hollow. The music by the once promising, Raghav Sachar is so mundane that it drags the film even further down the drain. The story itself focuses on Bittoo (played by small screen star Pulkit Samrat of “Kyunki Saas Bhi Kabhi Bahu Thi”), the videographer that everyone wants at their wedding. The girl of his dreams Is Mrinalani (Amitha Palak who is wasted here). Bittoo will do anything to prove he is the man of his girl’s dreams. Honestly, I thought the film would have been much better, I usually enjoy films like these, and who doesn’t love weddings? Yet, from the first reel to the last, I kept hoping for something that would make this worth watching. Though the lead pair try their best, with a particularly strong performance by Pulkit Samrat, the film unfortunately sinks the both of them. “Bittoo Boss” is definitely not a career notch on anyone’s belt. Thums way down for this one.

 Bheja Fry 2
 PB Rating: 4.0 out of 10  Public Rating (by 403 unique users): 5.13
 Director: Sagar Ballary  Producer: Mukul Deora
 Music: Ishq Bector, Sneha Khanwalkar, Sagar Desai  Lyrics: Shree D, Sonny Ravan, Shakeel Azmi
 Starring: Vinay Pathak, Kay Kay Menon, Minissha Lamba, Suresh Menon, Amole Gupte
 Genre: Comedy  Recommended Audience: General
I love Vinay Pathak (in a buddy kind of way…high five dude), I really do. He’s a great actor and a true comedic talent. His work in “Bheja Fry” was truly sublime as his portrayal of wannabe singer Bharat Bhushan (the loveable buffoon) literally wormed its way into your mind. His scenes with Rajat Kapoor (who excelled as the cheating louse with the painful backache….Ranjeet Thadani) were an immersive experience to watch. The core of that superlative film were these two characters and the chemistry that they shared.

Unfortunately, in an effort to make the sequel bigger and better (supersized), Writer/Director Sagar Ballary (who also wrote/directed the first film), drops Rajat Kapoor and loses half the chemistry that made the first film what it was….a cult classic.

Instead in his place, we get a story that tries to tie into the current singing competition zeitgeist as Bhushan wins a singing competition and promptly heads off onto a 3-Day cruise. This time around Kay Kay Menon (as Ajit Talwar) is the lucky (?) soul who gets some one on one time with Bhushan. Oh, along the way we have Amole Gupta, Minissha Lamba, and Suresh Menon woven throughout the plot. Yet, the whole thing lacks charm. It’s just not….funny. Oh, you want to laugh so bad, you want to welcome back brother Bhushan with a pat on the back and a smile on your face, but this time around Bhushan is let down by the one weakness that seems to infect many Bollywood films….a weak script. I imagine that it must be difficult to write a follow up to such a quirky movie as the first “Bheja Fry”, but perhaps Sagar Ballary would have been better off keeping Rajat Kapoor’s character and setting the storyline in Mumbai…all the while keeping the story at street level. Beautiful scenery does not a movie make, and just because the film is a sequel, doesn’t always mean it has to be bigger. It just means it has to be better. Watch the film for a few chuckles, and then watch the first one to truly be entertained.


 F.A.L.T.U
 Director: Remo D’Souza  Producer: Vashu Bhagnani
 Music: Sachin-Jigar  Lyrics: Sameer
 Starring: Jackky Bhagnani, Pooja Gupta, Riteish Deshmukh, Angad Bedi, Chandan Roy Sanyal, Arshad Warsi
 Genre: Comedy  Recommended Audience: General
In the film “Accepted”, rogue students form their own university that focuses on having fun, and fooling the parents. The university turns into an actual educational experience for the miscreant students who form the student body. Blah, blah, blah…. and they lived happily ever after.

Wait a sec! Coincidentally, “F.A.LT.U” with a screenplay by Mayur Puri and Tusshar Hiranandani has almost exactly the same plot as “Accepted”! Now, how did that happen, I wonder?!? Ahhhh, you have to love Bollywood and such “inspired” film-making.

Okay, forget the fact that the film is a total rip off of a B-grade Hollywood film. If you can have that filmi amnesia for a moment and take this movie at face value than it’s not a bad film, but it certainly is far from good or great. First time choreographer turned director Remo D’Souza shows promise in his direction, but he is totally let down by the incredibly bad screenplay. It’s got holes so big in it that you can drive rikshaws through them. The characters are half-baked. Jackky Bhagnani inexplicably returns to the silver screen to deliver an okay performance (though he lacks in screen charisma). Arshad Wari and Ritesh Deshmukh look like they are sleep walking through the film. The jokes deliver semi smirks, and I guess the semi smirks kept me awake and watching the whole film till the end. The best part of the film is the hot music by Sachin-Jigar. The songs break up the monotony just enough to carry the film forward. Worth a single watch, “F.A.LT.U” is a faltu comedy at best yaar!


 Tees Maar Khan
 PB Rating: 2.0 out of 10  Public Rating (by 400 unique users): 5.17
 Director: Farah Khan  Producer: Shirish Kunder, Ronnie Screwvala, Twinkle Khanna
 Music: Vishal-Shekhar, Shirish Kunder  Lyrics: Shirish Kunder, Vishal Dadlani, Anvita Dutt Guptan
 Starring: Akshay Kumar, Akshaye Khanna, Katrina Kaif, Raghu Ram, Rajiv Laxman and Arya Babbar
 Genre:  Recommended Audience:
Somewhere while taking a bubble bath in his golden tub, Shah Rukh Khan is laughing his SRK off at the train wreck that is “Tees Maar Khan”. Farah Khan is talented, there is no doubt about that, but “Tees Maar Khan” is a perfect example of an artist whose ego told her that she could do no wrong. The film is lavish to a fault, but hollow, with a story by Farah’s husband Shirish Kunder, that just doesn’t take off. What starts off as a promisingly entertaining story falls flat on its face by the second half of the film. Akshay Kumar hams it up in every scene as the criminal who has been a thief since he was born and Katrina Kaif has nothing really to do but look “jawanilicious”. Vishal-Shekhar’s score has the mega but forgettable hit, “Sheila Ki Jawani”, but for the most part is a big let down considering how brilliant their music for “Om Shanti Om” was. All in all, “Tees Maar Khan” buckles under its own “look at me gosh darn it, I am funny” weight. You will watch this that’s a guarantee, but will you enjoy it? Back to the drawing board Farah, perhaps it’s best to stick with the chemistry you shared with Shah Rukh Khan. Still, regardless of what I write, the movie has and will make a bucket load of money. I just hope there’s no “Tees Maar Khan 2

 When Kiran met Karen
Ah yes, what a splendid film starring Billy Crystal and Meg Ryan. The orgasmic diner scene is a veritable classic of Hollywood cinema. What’s that you say? That’s not this film? Er…oh yeah, this is something different. You see, this is the story of when Kiran met Karen and how they sort of, kind of fell in love in a tragic lovers kind of way. This very raw film focuses on something that is usually missing or overlooked by mainstream Indian cinema and that is a story involving a lesbian relationship. Yes, it’s a controversial subject in some areas, but it’s commendable that director Manan Katohara was willing to tackle this subject. Unfortunately what could have been an interesting film is strongly let down by the weak screenplay by S. Dwaipayan, Manan Katohara, and Sumita Sheth. The main story beat takes forever to get to point (the point being a Bollywood actress played by Chriselle Almeida is fed up with life, and meets a reporter played by Kelli Holsopple and sparks fly thereafter). The premise is a good one, but the actual visualization of the film, the less than stellar direction (with strange otherworldly visuals), and the at times muddy cinematography by Punit Chhabra just doesn’t gel into a good or watchable film. The lead actors fail to leave a mark or even hold your attention. You know you are in trouble when halfway through the film you wonder if you will be able to get through the whole movie without falling asleep. Watch this at your own risk…and don’t say that I didn’t warn you.

Previous Weeks Thums Up - Thums Down »
 • `Why "Krrish" 3 wasn`t so super!`
 • BWAHAHAHA….`Grand Masti`!
 • ‘Besharam’ is no ‘Dabangg’!
 • `Shuddh Desi Romance` Sheds New Light on Love!
 • Ranbir and Deepika ‘s chemistry burns up the screen in ‘Yeh Jaawani Hai Deewane’
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