Planet Bollywood
Amar Akbar Anthony
 
Producer: Manmohan Films
Director: Manmohan Desai
Starring: Amitabh Bachchan, Vinod Khanna, Rishi Kapoor, Shabana Azmi, Neetu Singh, Parveen Babi and Nirupa Roy.
Music: Laxmikant-Pyarelal
Lyrics: Anand Bakshi
Singers: Mohammad Rafi, Kishore Kumar, Lata Mangeshkar, Mukesh Chand Mathur, Mahendra Kapoor and Shailendra Singh.
Audio On: Universal    Number of Songs: 6
Reviewed by: Shahid Khan  - Rating: 9.0 / 10
 
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To mirror the huge star-cast of Manmohan Desai’s quirky entertainer, “Amar Akbar Anthony”,

Laxmikant-Pyarelal assembled an impressive array of male singers to give voice to the massive star power that was Amitabh Bachchan, Rishi Kapoor and Vinod Khanna. Curiously, L-P did not employ the same tactic regarding the female voices and Lata Mangeshkar provided the voice for Shabana Azmi, Parveen Babi and Neetu Singh. Perhaps, a wise move on their part, seeing as how in those days every actress wanted to feature in a song rendered by Lata.

Amar Akbar Anthony” begins with an ear-pleasing blend of accordion and shakers (now these are instruments that you rarely ever hear in the latest songs). One of Rishi Kapoor’s long-time favourite singers, Shailendra Singh, turns up for the ride with Kishore Kumar and Mahendra Kapoor. It is great to hear the three singing together, the singers add a shade of ardour to the typical but entertaining title tune.

While Shailendra Singh still sang for Rishi, Mohammad Rafi increasingly began to render more songs for this actor after the mammoth success of the songs in Madan Mohan’s “Laila Majnu”. The previously skeptical Rishi was now convinced that Rafi could give him hit songs. Given their loyalty to Rafi (who was earlier upset that he was getting less work), Laxmikant-Pyarelal took advantage of this and came up with three solo pieces. The first and best of these is “Pardah Hai Pardah”. This filmi

qawalli has quite a lengthy introductory piece before the main tune is established. Even Rafi’s entrance is part of the introduction. And what an entrance it is! “Shabab main zara si sharab phekoonga Anand Bakshi’s lyrics give a nice rhyming twist on the words “shabab” and “sharab”. Mohammad Rafi was born for this song because it plays to his vocal strengths. Boisterous, fervent, and rebellious… Rafi’s voice depicts all these moods with élan.

Shirdi Wale Sai Baba” is more in the religious vein. You can rely on Mohammad Rafi to shine in a devotional song and indeed he does. The chorus leave more of an impact here than in the last track, they are instrumental in creating an emotional force that the song strives to create. Least impressive of the lot is “Tayyab Ali Pyar Ka Dushman Haye Haye”. That is because of its situational nature. Still, it is enjoyable because Rafi and chorus help make it a lot of fun. The track is more listenable when being watched within the context of the plot in the film (the chorus in the movie is provided by a group of

hijras for comic effect).

The style of music and singing in each part of “Humko Tumse Hogaya Hai Pyar Kya Karen” changes to suit each character in the film. What is great about it is that it brings three male legends of playback singing together- Mohammad Rafi, Kishore Kumar and Mukesh (with Lata Mangeshkar). Listening to the song, one feels sad that these artists are no more in this world. The song opens with Kishore and Lata taking the reins. Their part is chirpy and vigorous and their declaration of “love you love you” is electric. The banjo interludes dominate the first part but that is abandoned for the next verse (by Mukesh). To portray the quiet romance between the characters played by Vinod and Shabana, the music turns traditional and evocative. The part where Mukesh and Lata sing over each other sends a chill down my spine and, in my opinion, is a piece of musical brilliance. Special mention must go to Lata, whose voice fluctuates to adapt to the different characters she is singing for.

Oh my! That is what you will say when you hear the rip-roaring “My Name Is Anthony Gonsalves”.

Amitabh Bachchan lends a bit of dialogue support to Kishore Kumar. Amitabh is delightful with his quick-fire nonsensical babble of difficult English words. Using a melee of violins, trumpets and drums, this is a rowdy and light-hearted tune that parodies cabaret songs. Kishore Kumar is in masti mode and the female accompaniment (Parveen Babi?) is cute with her short but sweet exclamations of surprise. In the genre of comic songs, this is definitely one of the best.

Overall, “Amar Akbar Anthony” is one of the finest examples of an album where the list of playback singers matches the star-power in the film.

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