Filmmaker/Director Nagesh Kukunoor shot to fame with his directorial debut, â€śHyderabad Bluesâ€ť which took the box office by storm when it was released. Since then, heâ€™s directed films like â€śHyderabad Blues 2â€ť (the less said about that the better), the excellent â€śRockfordâ€ť, the so-so â€śBollywood Callingâ€ť, the thrilling â€śTeen Deewareinâ€ť, the amazing â€śIqbalâ€ť, and the thought provoking â€śDorâ€ť. What sets this filmmaker apart from others is that he not only directs, but also has written the screenplay for each of his movies. Now, comes his latest film, â€śBombay to Bangkokâ€ť (produced by Mukta Arts) which showcases the comedic talent of Shreyas Talpade, the actor who is quickly becoming the most versatile of the new generation. The film promises to be a madcap comedic adventure of a displaced Indian man who finds himself in the strange foreign land of Bangkok. How will he survive? How will he handle falling in love with a Thai woman played by Thai actress Lena Christensen (â€śSars Warsâ€ť, â€śDevil Speciesâ€ť, and the â€śScorpion Warriorâ€ť series)? Weâ€™ll have to watch the film to find out!
Now, the movie itself is a madcap comedy, but what kind of soundtrack will it have? Will it be silly and catchy like â€śPartnerâ€ť? Will it be romantic and youthful like, â€śJab We Metâ€ť? Well, if Kukunoorâ€™s previous film soundtracks are any example, it seems that â€śBombay to Bangkokâ€ť will be an eclectic album.
For the soundtrack, there is not one, not two, not three, but five composers working on being creative. Pritam (â€śJab We Metâ€ť) , newcomer Ronnie Shirish, Salim-Suleiman (â€śPartnerâ€ť) and Sukhwinder Singh (â€śIqbalâ€ť) try their utmost to put their best dancing foot forward.
Never let it be said dear readers, that I donâ€™t go the distance for these reviews. I wish that I had the budget to fly to Bangkok to provide you with the true ambiance for this review. Alas, I am a poor writer and so have instead gone to the next best thing. I have taken my laptop to my favorite Thai restaurant and will be enjoying some tasty pad thai and panang while listening to â€śBombay to Bangkokâ€ť! So, on that note, letâ€™s fire up the I-PHONE and start listening to this soundtrackâ€¦
Break out those dhotis; hike them above your knees, elbows out and arms in the air to dance the night away with this first track, â€śBombay to Bangkokâ€ť! Composed by Sukhwinder Singh (with lyrics by Ibrahim Ashq) the track is infectious and relentless in its energy. This is Sukhwinder doing what he does best, singing folk-dance fusion songs. Starting with the command, â€śChill out nowâ€ť, the music takes on a middle-eastern-marathi-lavani fusion sound. Sukhwinder Singhâ€™s vocals are topnotch. I donâ€™t think that anyone could resist hiking their dhotis and getting on the dance floor while listening to this track. What makes this track work is the melody and relentless percussive beat. I can almost picture Shreyas Talpade dancing to this one on his way from Bombay to Bangkok. This tune sounds like something from a classic Amitabh movie, and itâ€™s a nice break from all the usual Euro-Techno-Trance-Dance fare. By the end youâ€™ll be, â€śfeeling funky and downright nastyâ€ť. Be Indian, be proud, listen to this song and shout out, â€śPAD THAIâ€ť!
After Pritamâ€™s track, I was wondering whether the soundtrack would continue with familiar sounding tracks or have something original. Iâ€™m happy to say that track three,â€śDheere Dheereâ€ť is the latter. Itâ€™s composed by the new comer Ronnie Shirish, and he steals the show. An infectious keyboard sequence is threaded throughout the song that combines with a youthful and catchy melody. Zubeen Garg brings his best to this song that is his most memorable performance since his track â€śYa Aliâ€ť from â€śGangsterâ€ť. Itâ€™s a classic sounding, yet modern track that has great replay value. The lyrics by Mir Ali are straightforward and sweet. Add this one to your playlist NOW. Iâ€™ll wait till you do. Play this loud, sing off-key and have some â€śPANANGâ€ť!
Track four is the crazily jubilant and strangely catchy, â€śSame Same But Differentâ€ť composed by Salim-Suleiman. The lyrics are meaningless fun, and K.K. handles the vocals effortlessly. Shreyas Talpade and Lena Christensen add a comedic element by reciting dialogues throughout the song (example: Lena says pad thai and Shreyas responds, dal fry or garam garam chai) that point out the differences between an Indian man and a Thai woman. Have some basil noodles, try to fall in love with a Thai girl and shout sweetly to her, â€śSWADHIKABâ€ť! (Or if you are a lady, fall in love with a Thai guy and shout sweetly to him, â€śSWADHIKAâ€ť!)
Ahhhâ€¦letâ€™s break a moment from this review and dream about Phuket (now, now, thatâ€™s not a dirty word, but a beautiful destination in Thailand. Tsk tsk.). Iâ€™m typing this review and having some Thai mango sticky rice for desert.
Ok, back to the review. This surprisingly entertaining soundtrack is also surprisingly short with only four songs. The album is rounded off with two remixes. â€śSame Same But Differentâ€ť has its beats pumped up to suit the frenetic energy of the dance floor and â€śDheere Dheereâ€ť has a gentle remix that adds slightly heavier percussive rhythm. The remixes wonâ€™t leave any lasting impressions on the listener.
Now, that I have taken this musical journey with you and finished my Thai food, I bid you Sawatdi (goodbye) and Iâ€™m sure Iâ€™ll laew phob gan mai (see you again).