You canât question the vision of Sanjay Leela Bhansali (SLB)...itâs right up there with the best film-makers out there. Heâs one of these rare breed that translates that vision into the various components that make a superlative film; script, cinematography, acting, direction and of course music- put simply, it has to be unique or itâs not deemed good enough (in the eyes of SLB). So itâs no surprise we got superb soundtracks for his earlier films including Khamoshi and HDDCS (arguably the best Hindi soundtrack since its release in 1999). Unfortunately, that bar dipped slightly with Devdas and Saawariya (although the background music to Black was awesome!) so it comes as no surprise that he has backed someone else to produce the soundtrack for his latest film, Guzaarish, but who might that music composer be? Well amazingly (shock of all shocks), itâs SLB himself!
According to Mr Bhansali the reason is a simple one. He understands the characters of Guzaarish and âwhat they would express musicallyâ i.e. the pathos, more than any other music director would and only he was able to unearth the deep thoughts in his mind about the film (through the music). Without giving too much away, the filmâs concepts of life, hope, soul, romance, reminiscence and sadness are felt throughout the bumper soundtrack to Guzaarish but that has been a trademark we have come to associate with the music to his films , the only question is can he recreate the magic himself this time? Well think about it for a second, if the visionary film-maker wants perfection itâs very likely he has been shadowing the soundtrack productions for his previous films (he already produced a song in Saawariya), so much so that he now feels he has the experience to take on the mantle and direct the music himselfâŚbut is it a risk worth taking?
With a radio playing in the background (note the âradioâ plays an important role in the film), the music switches to Track 1: âGuzaarishâ , an emotional song full of recollection, dreams and a feeling of hope against a deep, helpless and often forlorn longing or guzaarish. The music is very slow to get off the mark but is eventually brought to life with the soft strings of a guitar and a harmonica whilst in the interludes; a haunting violin plays in the background. But you wonât have time to dwell on the music too long because itâs the singing and lyrics that are the true winners here. K.K. is in truly bewitching form and sings with emotions he once reserved for the amazing âTadap Tadapâ (HDDCS). Backing vocals are performed by Shail Hada who was founded by Monty in Saawariya. Words by Turaz are extremely powerful and touching. Words like âfarmaayishâ, âguzaarishâ, âkhwaahishâ are poetically symbolic and portray the feelings of the character perfectly, the pathos is incredible; âBas itni si, tumse guzaarish hai, yeh jo baarish hai, dekho na, yeh jo baarish hai..iss mein teri baahon mein marr jaaoon, bas itni si, choti si, ek khwaahish hai" Overall, a great start to the soundtrack and a good indicator of what is in store!
âThodi si meethi hai, zara si mirchi hai, sau gram zindagi yeh, sambhaal ke kharchi haiââŚYou sense a lyrically powerful and poetic soundtrack as you are met with another superbly written song, Track 2: âSau Gram Zindagiâ . A more upbeat song about appreciating the good things in life (and accepting that you get equal doses of setbacks as well), Bhansali uses a beautiful piano piece as the foundation to the orchestration here and it works a treat. But note how the atmosphere is still laid back thanks to the sound of soft drum pads and odd bits such as the use of whistling etc. In the interludes the composer adds strings and violin to enhance the atmosphere. Just as K.K performed to his peak for Track 1, Kunal Ganjawala does the same here in what ranks as one of his most memorable renditions ever. Listen out for the way he controls his slow and almost whisper quiet vocals, then stretching out his alaaps to perfection- a testament to his true talents only fulfilled by few directors now including Bhansali. Words by Vibhu Puri are fresh, philosophical and sound splendid. Hats off to him. Guzaarish is getting better with each track- this song does help you appreciate life that little bit moreâŚsee it as an ode on life if you will. And a gem at that.
Track 4: âSaibaâ is a short but utterly charming love song with unique flavours and twists. To achieve this Bhansali uses the oud and the foreign vocals of Francois Castellino to give the song a classical as well as an international feel. Your attention then switches to the lead singer, Vibhavari Joshi, who marks a sparkling debut here. Her voice performs like the soothing tide from a calming river, hypnotising you in the process (particularly her alaaps). Give credit to the director for picking fresh talent over the tried and tested. The rest of the song is a pleasant fusion of drum pads, harmonium and guitar strings. Vibhu Puriâs words are fresh and soulful. Overall, âSaibaâ is a short song but has the potential to impress you nevertheless with its immersive qualities.
Bhansali has produced a number of atmospheric songs specifically for the film which is partly why we have such a bumper soundtrack but you will note their length is consequently shorter. The first of these, Track 5: âJaane Kiske Khwaabâ places greater emphasis on vocalist K.K, who is excellent again and the lyricist Turaz, who provides some touching lines. Music is kept in the background but listen closely and you will notice the deftest piano plucking, the softest guitar strings, and a haunting violin piece towards the end. Very poignant piece.
Most of the songs so far appear to be picturised on the lead male actor. Track 6: âUdiâ gives some attention to the female lead (Aishwarya Rai). The international style and feel of the arrangements are similar to âSaibaâ (harmonium, bass guitar, drum pads, dholak) but this time the melody is catchy, livelier and dare I say it, foot-tapping! Sunidhi Chauhan sings from the heart and Turaz glorifies the feeling of a free bird. Not a bad effort but doesnât make the same impact as âSaibaâ. However as per Track 5, expect this to explode in the film particularly as it's picturised on a sensuous Aishwarya Rai.
And the quality of the soundtrack does not relent anytime soon because one of the best songs just happens to commence at Track 8: âChaand Ki Katoriâ . . Bhansali sticks to the C.M.A. strings orchestra and uses subtle guitar strings (from a traditional guitar and from a bass guitar) to create another haunting orchestral piece full of mastery and illusion that, given the attention, takes control of your mind and senses. It does ask for some patience to grow on you but after that it rewards you with a relaxed and peaceful mindset. Listen out for the unexpected flugel horn around midway through the track. The very talented sufi singer Harshdeep Kaur is finally offered an opportunity on the big stage and thankfully she takes it with both hands in what is, the song of her life...she is just mesmerising, check out her high pitched "Zindagi batori, batori hai" chorus line, WOW! The words by Vibhu are equally dreamy and whisk you away into another world. Bhansali recreates magic in a truly awesome song!
The mood picks up with another short but uplifting song at Track 9: Daayein Baayeinâ . Some pleasant acoustic guitar strings (yes as you can gather the guitar features a lot in this album!) dominate proceedings here. K.K. is behind the mic again singing to words of hope and love from Turaz. Will suit the film but is too short to have any lasting impression as a stand alone song.
The bumper soundtrack ends with Track 10: âDhundli Dhundliâ . Bhansaliâs orchestra sits in the backdrop itching to explode into life but doesnât until around the 1:25 mark and then does so albeit for a short period of time before retreating again. You see Bhansaliâs strategy throughout has been such to allow the singer to take control of the song and let the music flow in the background. Well for his last romantic offering, he chooses a tried and tested performer, in fact one of the greats in recent times, Shankar Mahadevan, who evokes a powerful rendition that befits the stature of the album and indeed, the film. Turaz appears to have saved all his best work for this album with another effort full of fancy metaphors and thought-provoking lines! Fine ending Mr Bhansali fine ending.
If you think Guzaarish is the type of music you will pick up and enjoy instantly, forget it! The music is slow, dreamy, poignant and soulful throughout and requires a lot of patience to fully appreciate. It helps to be in the right mood as well! But if you give it a try and come to the view that it is not your cup of tea, I suggest you check out the music after the filmâs release- you are likely to enjoy it more after seeing it being played on the big screen for the simple reason that the music is hugely intertwined with the filmâs characters, story and emotions. So much so that it will significantly enhance the viewing experience. But if you can digest the music from the CD alone then congratulations, you have just appreciated the best soundtrack of 2010. Though itâs by no means perfect...
Whilst the music is very good overall (betters Saawariya which in itself must feel like an achievement for SLB) there are just too many tracks on the album making it an impossible task to maintain consistency (so much so that the songs are not fully utilised in the film) and quite a few of the them sound like they have been based on the Saawariya platform which SLB was heavily involved in. So originality can be questioned. Also you have to remember Guzaarish the soundtrack has primarily been made to add atmosphere and soul to a film but if you dissect the songs, the structure and arrangements are truly unique in only a few compositions. So you are probably wondering, what about these other songs? Well, if you analyse those closely itâs clear that other factors elevate them to levels which still allows you to enjoy them but the question is for how long? In other words SLB is helped immensely by noteworthy performances from his singers particularly K.K. and Shail Hada who sing as well as you have ever heard them and both lyricists deserve an award for some of the best romantic poetry heard in recent years! Take out these factors and letâs face it, Guzaarish is nowhere near the soundtrack it purports to be? But the reality is those factors are present and what we ultimately get is an excellent debut by SLB as music director, one that frequently stirs the emotions, enchants the mind, mesmerises the senses but above all else, provides a truly atmospheric score for the film, full of pathos and soul...job accomplished Mr Bhansali!