After a gap of nearly four years Alisha
and Biddu have teamed up once again. This 'Dynamic Duo' made history last
time with MADE IN INDIA however, their efforts this time are not as
spectacular. The album isn't bad, but while MADE IN INDIA captivated listeners who
wouldn't normally listen to hindi pop (it even crossed language barriers), DIL KI RANI
will probably only appeal to die-hard Alisha/Biddu fans.
Alisha's main influence in the past has predominantly been Madonna. However, for the
first track, "Love Around The World", Alisha has been
'inspired' by that other American diva, Cher! The same vocal electronic 'interference'
(for want of a better word) is used as in Cher's mega-hit, "Believe". The song
may sound corny at first but it is surprisingly catchy after a couple of listens. I guess
Alisha must have done something right when composing and writing this number.
"Vah-Vah" has more instant appeal and has Biddu's
typical style of music, displaying shades of "Made In India" and Sonu Nigam's
"Kismat".The slight bhangra flavour ensures that this song will at least get
noticed.
After "Made In India", Shyam Anuragi then pens "Chhoti Si
Baat" - Can you guess which is better? Maybe its not fair to compare
the two songs as they belong to completely different genre. Standing alone, "Chhoti
Si Baat" is a pleasant enough number but you'll find yourself struggling to
remember the tune once it's over!
What is happening in this next number?! Alisha puts on a thick 'street' accent for
"I Love Your Money Money" - a female version of Aamir
Khan's "Munna" in RANGEELA would be the best way to describe Alisha's
'character' in this song! Along with the weird title, you also get to here lines like,
"Vhen vill you tell your maather and faather..." and, " I made for you, You
made for me, Together we make a love ishtory...." The song holds your interest due to
Alisha's enjoyably comic rendition, but it's not a song you want to here again and again.
The album may have been named after the next track, but "Dil Ki Rani"
is the dullest number on the album! This song is a total bore, only noteworthy for
Alisha's good rendition in a higher pitch than she's accustomed to.
"Shaayad" is a slow romantic number that is
enjoyable while it lasts, but there is no residual desire to hear it repeatedly. The song
has a hip-hop feel to it and sounds very similar to a lot of recent western songs in this
genre.
Biddu has revived one of his old english disco numbers from the '70's with the next
track, surprisingly titled "Disco"! The
line,"Disco, My baby loves disco...." sounds familiar but I'm too young to
remember the original number which the CD jacket tells us was penned by Jack Robinson(?).
Alisha does the honours for the lyrics in this hindi version.
The last track, "Bas", returns us to the trademark
'made-in-india' sounds of Biddu, this time with "traditional" lyrics (I've never
heard them before!). Alisha sings this one in a more indian style and stretches her vocal
chords a little more. This song gives us a glimpse of her brilliant vocal talent which she
displayed more fully in her last album, ANTARATMA.
This album is worth a listen for some reasonably enjoyable tunes and some good singing.
Where the album suffers is in it's infantile lyrics! If Alisha continues to sing lines
like, "Tu hai mera truly, main hoon teri Julie....", she may end up
wishing she'd never turned her back on film music. |