Reviewed by Mandeep Bahra
mandeep@indolink.com

Many listeners may automatically give this soundtrack a miss. After all, Akshay and Raveena are no longer such a hot pair and the same can be said for music directors Anand-Milind, so listeners might assume that this soundtrack isn't worth their while. I too made the same assumption, but was pleasantly surprised. The musical arrangements in all the songs are interesting and creative, however the melodies have been recycled from other Anand-Milind tunes. Never mind, the songs are still quite enjoyable.

"Razi Razi Main Hoon Razi" starts things off and is sung well by Udit Narayan and Alka Yagnik. The rhythm is very Rahmanesque and the tune is catchy but not compelling.

"Hum To Tujhse Mohabbat Karte The" by Kumar Sanu and Alka Yagnik is reminiscent of the days when Anand-Milind were rising stars composing songs for films like QAYAMAT SE QAYAMAT TAK, DIL, BAAGHI, etc. The song has an enjoyable yet familiar melody and is worth a rewind.

"Ek Ladki-Ek Ladka" takes a bit of getting used to. It isn't instantly catchy but stick with it and it should grow on you. Kumar Sanu and Alka Yagnik try their best but they seem out of place in this song.

The title song, "Meri Sason Mein Garmi...Main Hoon Barood" by Abhijeet is a bit dry when it comes to melody, but the music arrangements are worth a listen and judjing by the lavish sets pictured on the CD jacket the song will probably be more interesting in the film.

"Sana Sana Sannana" by Abhijeet and Poornima is instantly hummable but that's probably because the tune is lifted. There's no point in naming names, I'm sure everyone will recognise the tune immediately!

"Mach Gaya Shor" is enjoyable with its great rhythm, infectious tune and Poornima's brilliant singing. The only problem is the various 'noises' (for want of a better word) which have been infused into the music. I gather they are supposed to sound sexy, but they are just annoying, if not a little embarrasing!

All in all, BAROOD is worth a listen. I just pray that this soundtrack is a sign that Anand-Milind are 'on the road to recovery' as far as composing is concerned. The duo proved last year that they still have what it takes when they produced the scores of Daayra and Mrityudand. However, if Barood bombs then it might end up being another nail in the duo's career coffin!

Would you like to contribute? Please contact assteditor@indolink.com